Late bloomers in the contemporary music scene offer the most distinctive works, and there are a lot of them who have become popular. Great music is being made by people of all ages today, and age groups here do not relate since most things are available on YouTube and other sites. Some discovered playing late while others started young, stopped and then rediscovered their playing roots.
A musician who took the longer road and found himself entering the world of recorded music is Dean Maser. He made the rediscovery one night during the open mic of a hootenanny and went on to record Delphinium CD. Those lucky enough to know him listen are in for a treat.
Following the wandering spirit of blues minstrels, his life is partly defined by the famous song Wandering. He has taken the road of blues masters and Dylan who is now the new icon for literature that emerged out of an American musical tradition. Maser and his songs in the album also have a unique Grant Wood like voice that creates excellent visual imagery.
Delphinium is a way into seeing a legend filled world which partakes of spiritualism in the American West and the wide open skies of the Midwestern plains. The title is derived from the flower of the same name, which horticulturists know to bloom late, around June or July. This summer flower is broadly distributed, from the meadows to the uplands of pine.
His family belonged to a church, and it was the kind of music he made with guitars and ukeleles, and Kumbuyah is like a bad dream to him. All the years spent wandering the music world made the affliction apparent, and he has now lived that down and proceeded to discovering real spirituality. He says how high school made him drive for the works with a 3 song record that no one know will ever hear.
The artist blogs, too, and it is titled The Good Ancestor, a deep trawling of his musical roots and influences, imagined or otherwise. This is personal music history musicians should know. Thus this artist has fully awakened by taking in everything, and this is something reflected in this first full album.
He has also come into his own with the blues, and he and his band of traveling players named SoulShine are readying an eclectic album of this kind. Their influences range from Johnny Cash to ZZ Top, from Hendrix to Clapton, Dylan and BB King. And people should watch for it, because Maser and his group are seasoned musicians playing as a classic trio.
From Minneapolis to Boston, he went into studios with players from as far as North Dakota and Africa. The stand he is making is for all the things he has learned and unlearned which define his auteur. But then, you can see how all things Blues are there in the album, dating to the first time the first Blues song was played to its patron Old Man River.
The titles of songs on the list are Heroes, One Time, Strong Love and Heart Be True, among others. Also included are the title track, Easy to Bleed and Gypsy Woman, songs with strong reminders of blues traditions. Because that is what is all about, of Christians suffering things straight out of Bible history, about things so deep that the thought of them creates a well of tears.
A musician who took the longer road and found himself entering the world of recorded music is Dean Maser. He made the rediscovery one night during the open mic of a hootenanny and went on to record Delphinium CD. Those lucky enough to know him listen are in for a treat.
Following the wandering spirit of blues minstrels, his life is partly defined by the famous song Wandering. He has taken the road of blues masters and Dylan who is now the new icon for literature that emerged out of an American musical tradition. Maser and his songs in the album also have a unique Grant Wood like voice that creates excellent visual imagery.
Delphinium is a way into seeing a legend filled world which partakes of spiritualism in the American West and the wide open skies of the Midwestern plains. The title is derived from the flower of the same name, which horticulturists know to bloom late, around June or July. This summer flower is broadly distributed, from the meadows to the uplands of pine.
His family belonged to a church, and it was the kind of music he made with guitars and ukeleles, and Kumbuyah is like a bad dream to him. All the years spent wandering the music world made the affliction apparent, and he has now lived that down and proceeded to discovering real spirituality. He says how high school made him drive for the works with a 3 song record that no one know will ever hear.
The artist blogs, too, and it is titled The Good Ancestor, a deep trawling of his musical roots and influences, imagined or otherwise. This is personal music history musicians should know. Thus this artist has fully awakened by taking in everything, and this is something reflected in this first full album.
He has also come into his own with the blues, and he and his band of traveling players named SoulShine are readying an eclectic album of this kind. Their influences range from Johnny Cash to ZZ Top, from Hendrix to Clapton, Dylan and BB King. And people should watch for it, because Maser and his group are seasoned musicians playing as a classic trio.
From Minneapolis to Boston, he went into studios with players from as far as North Dakota and Africa. The stand he is making is for all the things he has learned and unlearned which define his auteur. But then, you can see how all things Blues are there in the album, dating to the first time the first Blues song was played to its patron Old Man River.
The titles of songs on the list are Heroes, One Time, Strong Love and Heart Be True, among others. Also included are the title track, Easy to Bleed and Gypsy Woman, songs with strong reminders of blues traditions. Because that is what is all about, of Christians suffering things straight out of Bible history, about things so deep that the thought of them creates a well of tears.
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